江户时代,町人阶层逐渐登上文学舞台,市民文学出现。这个时期,日本的翻案小说盛行。受中国明清小说和日本古典作品的影响,出现了大量具有日本本土特色的作品。其中,上田秋成在1768年作成的《雨月物语》就是代表作之一。从日本近世的时代背景和作家秋成的经历来看不难发现,秋成在《雨月物语》中想要塑造的是受儒家思想影响的女性形象,尤其想要强调女性的人性。本论中,通过对《雨月物语》中的《夜宿浅茅》《吉备津之釜》《蛇性之淫》三篇的女主人公宫木、矶良、真女儿的分析来讨论上田秋成的女性观。 During the Edo period, the town-class gradually climbed onto the stage of literature and citizen literature appeared. During this period, Japan’s prosecution fiction prevailed. Influenced by the novels of Ming and Qing Dynasties in Japan and Japanese classical works, a large number of works with Japanese native characteristics appeared. Among them, Ueda autumn Cheng made in 1768, “Moonlight Story” is one of the masterpieces. Judging from the background of the modern times in Japan and the experience of the writer Qiu Cheng, Qiu Cheng wants to shape the female image influenced by Confucianism in “Yu Yue Wu” and especially emphasizes the human nature of women. In this essay, we discuss Uchida Ueda’s analysis of the heroines Miyamoto, Isoliang, and true daughter of the three poems of “Lord of the Night”, “Kibi Jin’s Kettle” and “Snake Sex” Female view.