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中国古代书法美学的一大特色就是以人喻书。书法的“骨”“筋”“肉”“血”自古以来一直颇受书家的重视,是书家追求线条形质美的拟人化。本文通过对古代书论中“骨”“筋”“肉”“血”进行梳理分析,较为系统地对书法线条的“骨”“筋”“肉”“血”概念之间的区别和内在联系,以及如何表现等问题进行探析,并强调了只有学中有悟,悟中有学,做到功性两全,方能心手双畅。
A major feature of ancient Chinese calligraphy aesthetics is the metaphor of man. Calligraphic “bone ” “tendon ” “meat ” “blood ” has been popular among book writers since ancient times, is the calligraphic pursuit of line art beauty anthropomorphism. In this paper, we analyze and analyze the “bone ” “meat ” “blood The distinction between the concept of ”blood“ and ”the blood" and the internal relations, as well as how to express the problems, and emphasizes that only the students have enlightenment, enlightenment and learning, so that they can do both. Double smooth.