语言,是人类巧夺天工的胜利,它讲述持续传播了几万年的理智,甚至超越现代技术的复杂性。20世纪整个西方的学术领域,语言学的观念在众多的人文学科中产生了独特的渗透性作用。从现代的艺术哲学到艺术的创作都程度不同地拥有了所谓语言的意识,不禁令人想起赫伯特·里德所言:“整个艺术史是一部关于视觉方式的历史,关于人类观看世界所采用的各种方法的历史”。换言之,艺术史即为视觉语言的发展历史。这确实在某种程度上回应了时代的思潮。 Language, the triumph of mankind, speaks of the intellect that has been spreading for tens of thousands of years, even beyond the complexity of modern technology. In the academic field of the entire West in the 20th century, the notion of linguistics has created a unique and permeable role in a large number of humanities. From the modern art philosophy to the creation of art, each has a so-called awareness of language to varying degrees, reminding one of Herbert Reid's remark: “The whole history of art is a history of visual ways, The history of the various methods used. ” In other words, art history is the history of the development of visual language. This is indeed to some extent in response to the trend of the times.