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布列松的对角线,卡帕的战争报道,布兰特的纪实和裸女,曼·雷的超现实,布拉塞的夜间摄影……这些多多少少都源于安德烈·柯特兹(AndréKertész,1894-1985)的影响。这些人是摄影大师,而柯特兹是大师的大师。柯特兹的作品如此温情精致而又自然而然,仿佛照相机已不存在,让人看到的是我们已然身处其中的生活。“柯特兹有着伟大摄影家必不可少的两个资质,即对这个世界、人与生命的不倦的好奇心,和精致的造型感觉。”
Bresson diagonal, Kapa’s war coverage, Brent’s documentary and nude, Man Ray’s surreal, Blaise’s night photography ... ... more or less come from André Corte (André Kertész, 1894-1985) influence. These people are great masters, and Kortez is a great master. Curtiz’s works are so gentle and natural, as if the camera no longer exists, people see is that we already living in which life. “Curtiz possesses the two qualifications essential to the great photographer, the tireless curiosity of the world, man and life, and the exquisite styling.”