《索尔之子》指涉了死亡、宗教等哲学范畴,导演以存在历史观为方法论指导,以寻找拉比、安葬儿子为叙事驱动力,以信仰祭奠死亡。通过犹太教哲学和精神现象学的双重理论阐释,索尔为自己、儿子“命名”的精神信仰情结得以合理言说,这是反思纳粹罪恶、清算“负面历史记忆”的又一伦理入口。反媚俗的视觉修辞手段,成功地完成了影片主题的表达。 “Son of Sol” refers to philosophical categories such as death and religion. The director, guided by the methodology of existential outlook on history, is looking for rabbi, burying his son as narrative driving force, and sacrificing his death by faith. Through the dual theoretical interpretation of Judaism and psycho-phenomenology, Sol’s reasoning for the spiritual beliefs of himself and his son “naming ” is another ethical entrance to the reflection of Nazi sins and liquidation “Negative Historical Memory ” . Vulgar vulgar means of visual rhetoric successfully completed the theme of the film.