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真实,是艺术的生命,这是众所周知的。在假定性的环境和事件中求得真实性的效果,这是人们对戏剧艺术的基本要求。生活,是丰富多采而又变化无穷的。但是,如果我们的戏剧象镜子一样,把生活原型都原封不动地“摄”进来,从“生活”那边看,似乎真实了,而从艺术这边看,却无真实可言了。所以,高尔基认为“光是观察、研究、了解,是不够的,还必须虚构、创造。”然而,高尔基所说的虚构,又不是凭空无稽的捏造,而是要以“非常发达的观察力”观察、研究生活,用具有形象魅力的艺术来表现生活。作者积累了丰富的社会生活,便有可能跨入艺术虚构的广阔天地,如果,作者
True, it is the life of art, which is well known. Obtaining the authenticity of the effects in the hypothetical environment and events is the basic requirement of people in drama art. Life is rich and varied. However, if our drama is like a mirror, it seems real to take life prototypes intact from the perspective of life, but from the perspective of art there is no truth to it. Therefore, Gorky believes that “it is not enough to observe, to study, to understand, but to be fictitious and to create.” However, Gorky’s fiction is not foolhardy fabrication but rather “very advanced observation” Observe, study life, with the charm of the image of art to show life. The author has accumulated a wealth of social life, it is possible to enter the vast world of art fiction, if, the author