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胜见胜是日本战后到经济高度成长期间现代设计运动中最重要的核心人物,他以设计评论家的身份开始涉入设计,以写作、评论、教育、研究、出版、策展等方式推动了日本设计的飞速发展,并深刻影响了世界设计交流及国际图形设计的标准制定。鉴于日本现代设计运动相关中文资料甚少,本文尝试梳理胜见胜与日本现代设计运动的关系,从教育、研究、实践、出版等各方面呈现其对设计运动发展的贡献,尝试为理解日本现代设计运动的形成、发展及深远的影响提供一个重要的视点。
Katsunaga is the most important central figure in the modern design movement from the post-war period to post-war economic height in Japan. As a design critic, he started to engage in design and was promoted in writing, commentary, education, research, publishing and curating The rapid development of Japanese design, and profound impact on the world design exchange and international graphic design standards. In view of the lack of Chinese information about the modern design movement in Japan, this paper tries to sort out the relationship between Katsuyuki and Japan’s modern design movement and presents its contribution to the development of design movement from the aspects of education, research, practice and publication. In order to understand Japan’s modern The formation of the design movement, development and far-reaching impact provide an important point of view.