后工业时代的文艺状况正经历深刻变化,谭霈生所创立的戏剧本体论在大戏剧视域中具有理论有效性。“情境”及其界说堪为戏剧艺术形式的研究起点,而由此推衍的剧作逻辑模式牵涉多个理论疆域,呈现开放性、延伸性的特征。谭霈生戏剧思想对于艺术文本接受、戏剧创作实践以及戏剧理论批评都具有启示意义,并以观照人的本性,呼唤人的全面自由发展为价值旨归。 The literary and art conditions in the post-industrial era are undergoing profound changes. The drama ontology created by Tan Sansheng is theoretically effective in the field of grand drama. “Circumstance ” and its definition can be regarded as the starting point of research on the art form of drama, and the logical model of the drama derived from it involves multiple theoretical boundaries and presents an open and extensible character. Tan Tansheng’s drama thought has enlightenment to the accepting of artistic texts, the practice of drama creation and the criticism of drama theory, and it is valuable to see people’s nature and call for the full and free development of people.