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本文试图通过对“看”及看背后“看法”的分析,来梳理看法即画法的形成、传承、发展和变化的脉络,进而在传统与当代之间、东西方之间有助于画者在泛滥的图像中理清自己的看法文脉,开拓新的观看之道。文章最后展现的是个人创作中遭遇具体形态时的应对和坚持。
This article attempts to sort out the context of the formation, inheritance, development and change of the view that is painting through the analysis of “look ” and “behind ” “view ”, and then between the tradition and the present, Help the artist to sort out his own context in the flood of images, open up new ways of viewing. Finally, the article shows the coping and persistence when encountering specific forms in personal creation.