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20世纪中期,漆画创作作为新兴的画种得到迅速的发展,现已有北京、上海、广州、杭州、南京、扬州、武汉、重庆、哈尔滨、太原、福州、厦门、泉州等地区成为中国漆画创作的重镇。艺术家们高举着重振中华七千年漆文化风采的旗帜,各自从不同的地域文化特色出发,对中华7000年漆文化与漆材质进行再创作与追求,呈现出百花齐放的中国漆画创作生态。笔者从“髹漆·咏怀——2013中国女漆画家作品展”中各地区艺术家的创作风格出发,进而对当下中国漆画的创作生态进行解读与阐析。
In the middle of the 20th century, lacquer painting was rapidly developed as a new type of painting. Now it has become China lacquer in Beijing, Shanghai, Guangzhou, Hangzhou, Nanjing, Yangzhou, Wuhan, Chongqing, Harbin, Taiyuan, Fuzhou, Xiamen and Quanzhou Painting the creative center. The artists hold high the banner of rejuvenating the seven thousand years of Chinese lacquer culture. Each of them embarks on a new creation and pursuit of Chinese lacquer culture and lacquer materials from different regional and cultural characteristics. It presents a flourishing creation of Chinese lacquer painting. The author starts from the style of creation of artists in various regions in China in “Painted and Enthusiastic - Works of Chinese Female Lacquer Painters in 2013”, and then interprets and analyzes the contemporary Chinese lacquer painting creation ecology.