王渊对于徐熙和黄筌的借鉴,以及对院体花鸟画精细不审物的精神继承,在当下花鸟画创作中依然深有借鉴的价值。本文以王渊代表作品《山桃锦鸡图》为例,从创作层面以及精神层面进行理解与分析,其目的是启发自己对于传统的思考而积极作用于创作实践。通过研究,为我今后的花鸟画创作提供更深刻的思路以及更广阔的空间。 Wang Yuan’s reference to Xu Xi and Huang Pi, as well as the spiritual inheritance of the delicate and unapproved flower and bird paintings in the hospital, is still a valuable reference in the current creation of flower and bird paintings. In this paper, Wang Yuan’s representative work, “Mountain Peach-and-Pheasant Figure,” is taken as an example to understand and analyze from the creative and spiritual aspects. The purpose of this article is to inspire oneself to play a more active role in the creative practice of traditional thinking. Through research, for my future creation of flowers and birds to provide more profound ideas and a broader space.