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文章以流行于康巴藏区弦子歌舞艺术中的重要乐器毕旺琴为对象,通过文献搜集、访谈等人类学调查方法,考察金沙江流域巴塘、芒康两地毕旺琴原材料的来源与挑选、制作过程,意欲呈现在此过程中的宗教、文化、社会意义和相应的人与物的关系。在说明毕旺琴在康藏地区的社会网络中所承载的文化意涵的同时,认为由原材料交流到制作进而至表演是一个完整的Musicking的过程,应以一种连续过程的视角来理解。
The article takes Biwanqin, an important musical instrument in the dance and dance of the kangba Tibetan area, as an object. Through anthropological investigation methods such as literature collection and interviews, the article investigates the origin and selection of the raw materials of Biwang Qin in Batang and Mankang in the Jinsha River basin. , Intended to show the process of religious, cultural, social significance and the corresponding relationship between people and things. While explaining Biyuqin’s cultural connotation in the social network of the Kangzang region, he believes that the process of communication from raw materials to production and then to performance is a complete Musicking process, and should be understood in a continuous process.