从前也听过不少的琵琶演奏和录音,一般说来总觉得旋律不够自然,和弦不够协和,风格也不那么地道。而今晚上任鸿翔副教授独奏会,旋律优美,和弦谐协。尤其是他自己编创的几首具有陕西风格的乐曲,更是如陕西的板胡、三弦一般,地方色彩极为浓郁,别开生面,不同寻常。其原因何在? 最近,我协助李武华副教授搞了一些测音工作,对彭丽媛的早期演唱和后期演唱作了测音,又将郭兰英的演唱也作了测音,以科学的测音数据来看,彭丽媛早期演唱和郭兰英完全一样,用的是民间纯律音阶,而彭丽媛进修后所演唱的音阶不再是民间音阶,却变为由原苏联传来的五度相生律音阶。这当然与我国目前的音乐教育有关。 同样,在民族器乐方面也有这种倾向,例如:中央音乐学院民族管弦乐团的管乐器已大部分改为五度相 I’ve heard many pipa playing and recording before. Generally speaking, I feel the melody is not natural enough. The harmony is not enough and the style is not so authentic. Tonight, Hong Xiang, an associate professor of recitals, beautiful melody, harmonic harmony. In particular, he wrote a few songs with Shaanxi style, but also as Shaanxi Banhu, Sanxian in general, the local color is very rich, unique, unusual. Recently, I assisted Li Wuhua associate professor engage in some sounding work, Peng Liyuan early concert and later concert made a sound measurement, but also made a concert of Guolan Lanying also measured the sound of scientific measurement data point of view, Peng Liyuan and Guolan English early concert exactly the same, using a folk pure musical scale, and Peng Liyuan after learning the scale is no longer a folk scale, but it came from the former Soviet Union, the fifth-degree relative scale. This of course is related to the current music education in our country. Similarly, there is such a tendency in ethnic instrumental music. For example, most of the wind instruments of the Central Conservatory of Orchestra’s National Orchestra have been changed to five degrees