在马尔克斯的手里,短篇小说有着同样的神秘魅力,让接近它的人全部陷入一种爱情般的疯魔。当我们提起短篇小说时,通常只叫它“短篇小说”。有时还会带着轻松或不屑的口气,叫它“短篇”。这种根深蒂固的判断或者说误解,是从何而来呢。每当我对“一个艺术载体的某种局限是否影响了其创作者的发挥”感到困惑不已时,我就会偷懒,搬出这个艺术形式中最杰出的那个作者、这个领域里 In the hands of Marquez, the short stories have the same mystical charm, leaving all those close to it to fall into a love-like madness. When we bring a short story, we usually just call it “short story.” Sometimes with a relaxed or dismissive tone, call it “short ”. Where did this deep-rooted judgment or misunderstanding come from? Whenever I feel puzzled about whether or not “some limitation of an art vehicle affects the performance of its creators,” I am lazy and moved out of this author’s most prominent art form, in this area