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从原始时期起,水族乐舞文化就分作巫祭之乐和民乡之乐两种文化趋向,并由此产生出水族文化的雅俗分流,贯穿于水族历史文化发展的整个过程。与祭祀、巫祭有关的舞蹈,舞蹈者一般头戴冠饰或羽饰,手执法器。其舞姿表现为双手上举,仰天敬神,崇拜上方;与生产生活内容有关的舞蹈,舞蹈者一般不戴冠饰或羽饰,不执法器。其舞姿表现为双手下垂或平伸,有时连臂环绕,多为集体舞,是水族先民娱神娱人的民间祭祀活动。
From the primitive period, the culture and music of aquarium dance is divided into two kinds of cultural trends, such as the enjoyment of witch-sacrifice and the enjoyment of folklore, and the resulting diversification of elegance and vulgarity of aquarium culture runs through the whole process of the development of the aquarium’s history and culture. Dance and sacrificial offerings, Witch Festival dance, dancers usually wear a crown or feather ornaments, hand enforcement. The performance of his dance hands raised, gods worship, above the worship; and production and life-related content of dance, dancers generally do not wear a crown or feather ornaments, not a law enforcement device. The dance performance for his hands drooping or flat stretch, and sometimes even around the arm, mostly for collective dance, is the ancestors of Aquarium ancestral people folk sacrificial activities.