前言雕塑的产生与物质材料是分不开的。马克思曾指出:“颜色和大理石的物质特性不是在绘画和雕刻领域之外”,这说明雕塑形象是借助物质材料呈现出来的。雕塑史的发展,撇开雕塑语言自身的发展规律,它与人类科技文明的发展也是密不可分的。人类先制造工具,后创造形象。从削制的石头工具和用黏土涂在编制或木制的容器上经火烤而成的陶器工具开始,似乎雕塑这个词的“雕刻和塑造”的内涵就已经具备。随着 Foreword The emergence of sculpture and material are inseparable. Marx once pointed out: “The material character of color and marble is not in the field of painting and sculpture,” which shows that the sculpture image is presented by means of material materials. The development of sculpture history, aside from the law of development of sculpture language itself, is also inextricably linked with the development of human science and technology. After humans create tools, they create images. Starting with cut stone tools and pottery tools that were baked with fire on prepared or wooden containers, it seemed that the word “sculpture and sculpture” had the same meaning. along with