从“60后”女作家的代表人物陈染、林白的作品被命名为“私小说”的那一刻起,关于女性写作中的“私密化”问题就一直争论不休,很多论者提出这种女性隐密的书写存在的巨大危险是,当写作成为满足窥视欲的一个窗口时,作品的热闹与畅销倒反而使得女性再次陷入男权欲望化视域的泥淖——她们所努力反叛的,最后却被市场规律有效整合进了主流文化。 From the moment when “the post-1960s” female writers Chen Ran and Lin Bai’s works were named “private fiction”, there has been a constant debate over the issue of “privatization” in the writing of women. Many critics argue that the great danger posed by this secretive writing of women is that when writing becomes a window to satisfy peeping, the excitement and popularity of the works reverse the femininity that makes women fall into the patriarchal descent again - they Efforts to rebel, and finally been effectively integrated into the mainstream market the mainstream culture.