在我们当前的戏剧生活中,人们已经不止一次地看到,公式化、概念化的作品,不知吓跑了多少热情的观众。特别是有的戏曲现代戏,这个问题尤为突出。因此才出现了有些人所说的“三不愿意”(作家不愿写、演员不愿演、观众不愿看)的尴尬局面。所以,不论是作为戏剧工作者或者观众,多么期望在我们的舞台上,开出一些不同凡响的异卉与奇葩!我们正是怀着这种心情奔赴南宁,参加首届广西剧展的。的确,这次广西剧展打破了不少框框。不但不搞那些大轰大嗡的、花钱费时的、形式主义的开幕式、闭幕式之类,而且在挑选剧目与评奖工作中,也不搞平均主义,吃大锅饭。也 In our current theater life, it has been seen more than once that formulaic, conceptualized works and spectators who do not scare away much enthusiasm. In particular, some opera modern drama, this problem is particularly prominent. Therefore, some people said there was an embarrassing situation of “three do not want to” (writers are reluctant to write, actors do not want to play, and the audience does not want to see it). Therefore, no matter as a drama worker or an audience, we expect to present some exceptional flowers and exotic flowers on our stage! We went to Nanning with this mood and attended the first Guangxi Opera Exhibition. Indeed, this Guangxi drama broke a lot of framing. Not only will we not engage in those big-winded, time-consuming and formalist opening ceremonies and closing ceremonies, but also will not try egalitarianism and eat pots in the selection of repertoire and awards. and also