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《烟雾、海、花卉和诺斯费拉图工厂》分为四章,分别用不同的黑色木盒作为容器。第一章《无尽噩梦》是铜版画,主要是肖像和鲸鱼,作为整个作品的‘起’,承担着我对自己能否和世界产生联系的疑问;第二章《诺斯费拉图工厂》,是篇完整的短篇小说,是我对自己所谓的合理性的诠释,以及建立对自己思维体系的构想;第三章《永无止尽的黑夜》,是关于小说的、相互联系的、具有隐喻和叙事性的98张独幅版画;第四章《原来一切只是冗长的噩梦》,
Smoke, Sea, Flower and Nosferatu Factory are divided into four chapters, each with a different black wooden box as a container. The first chapter, “Endless Nightmare,” is a copper engraving, mainly portraits and whales. As the starting point of the whole work, I assume that I doubt whether I can relate to the world or not. Chapter Two, Nosferatu Factory, Is a complete short story, my own interpretation of the so-called rationality, and the establishment of my thinking system. The third chapter, “Endless Night,” is about fiction, interrelated and metaphorical And narrative 98 one-page prints; Chapter IV “everything is just a long nightmare”