20世纪末,中国少数民族女作家以民族和女性的双重身份写出了大量具有文化寻根倾向的文学作品,她们的作品既有民族性的体验,同时又有女性的话语表达。本文将以藏族女作家央珍、梅卓为例,她们多元化的身份,使其自觉深入本民族的传统文化本原,从女性的视角反思民族宗教、重构民族历史,用文学为民族文化记忆谱写了新的篇章。 At the end of the 20th century, Chinese minority women writers wrote a large number of literary works with cultural root-seeking tendency in the dual identities of both ethnic groups and women. Their works both have the experience of nationality as well as the expression of women’s discourse. This article will take the Tibetan female writers as the example of the Central Women’s and Maizhu’s. Their diverse identities make them conscientiously go deep into the traditional culture of their own nation, reflect on national religions from the perspective of women, reconstruct the history of the nation, and use literature as the national culture Memory wrote a new chapter.