斯派克·李同学确实是个多面手,各个领域都可以玩两下子,而且还玩得很地道,玩出很多花样来。早先他执著于黑人觉醒与种族歧视,成了这类主题的老手。这次转攻很少涉足的警匪题材,一点也不感觉手生。斯派克·李此番出手目标非常明确,就是拍一部瞄准主流市场的商业片。为了这个目标,他颇费了些心力,召集了一支好莱坞难得的知性军团:影帝丹泽尔·华盛顿、影后朱迪·福斯特、当红小生克里夫·欧文……法国足球前锋蒂埃里·亨利在片中也有亮相。配乐沿用了他熟悉的黑人风格,同时采用印度歌曲并与说唱混音,最终产生出与纽约大熔炉式文化背景相映照的奇妙效果。一场终极猫鼠游戏总是不乏看点,再加上惊悚、悬疑的元素,就更有料了。以前看过的电影,高级抢劫犯一般都是地老鼠,自由出入银行保险库。不钻地道的一般过程要凶险些,想要多拿钱,就得面临抢劫时间过长而遭遇警察的风险。可《局内人》中的匪徒却敢于直面警察悠然行事,堪称高手。但本片剧情比一般警匪故事复杂得多,因为到了后来,高级劫匪自己陷入了另一场人质绑架案。如果大家以为斯派克·李仅靠这些因素来保证票房,那也未免太 Spike Lee students really is a supercilious hand, all fields can play two twists and turns, but also very authentic, play a lot of tricks. Earlier, he clings to the awakening of blacks and racial discrimination and has become a veteran in these topics. This attack rarely involved in the police bandits theme, do not feel at hand. Spike Lee shot this time goal is very clear, is to shoot a commercial market aimed at the mainstream. To this end, he spent some effort, called a rare intellectual wizardry in Hollywood: actor Denzel Washington, Judy Forster, popular niche Cliff Owen ... ... France Football forward striker Elie Henry also appeared in the film. The soundtrack followed his familiar black style, using both Indian songs and rap music, culminating in the fantastic effect of a New York melter-style cultural backdrop. An ultimate cat and mouse game is always lacking in spectacle, coupled with horror, suspense element, even more expected. Previously seen movies, senior robbers are generally mice, free access to the bank vault. The ordinary process of tunneling is notoriously dangerous. If you want to get more money, you have to face the risk of cops being caught up too long. Can be “insiders” gangsters dared to face the police leisurely act, called a master. However, the story of this film is much more complicated than that of a general police bandit story because later, the senior robbers themselves plunged into another hostage-taking case. If you think Spike Lee alone to ensure that the box office, it is too much