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中国新时期文学在改革开放的大潮中,以强劲的势头突破了“文化大革命”时期把文学作为政治工具的束缚,在文艺形式上进行了大胆的尝试。改革开放初期,以王蒙为代表的一批中年作家最早把西方现代主义文学的创作方法运用到现实主义文学的创作中,取得了一定的成绩。紧接着,刘索拉、徐星等青年作家以更新的创作形式引起了文坛的瞩目。从20世纪80年代末开始,随着后新潮小说的出现,形式主义浪潮开始对传统的现实主义创作方法进行全面的颠覆,他们提出的“原始态”、“零度情感”、“自然人”、“本能主义”、“陌生化”和“语言崇拜”等原则已经使文学创作从一个极端走向了另一个极端。
In the tide of reform and opening up, Chinese literature in the new period broke through the shackles of literature in the “Great Cultural Revolution” with strong momentum and made bold attempts on literature and art forms. In the early stage of reform and opening up, a group of middle-aged writers represented by Wang Meng first made some achievements in applying the method of writing western modernist literature to the creation of realistic literature. Shortly thereafter, young writers such as Liu Sola and Xu Xing aroused the attention of the literary world with newer forms of creation. Since the late 1980s, with the advent of post-trendy novels, the wave of formalism has begun to completely subvert the traditional realist methods of creation. The “original state”, “zero-degree emotion” and “ The principles of ”natural person“, ”instinct“, ”defamiliarization“ and ”language worship" have made literary creation go from one extreme to the other.