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回顾一下我的山水画创作,虽时间不算太长,但每一段经历、追求和变化还是很容易理清的。80年代以来,我开始山水画创作,当时改革开放给中国画的发展带来了美好的前景,而形形色色的西方文化思潮也正涌入,形成了东西方两股文化大潮的对峙与碰撞的局面,引起了社会的广泛关注。中国画作为中国传统文化的形象标志,成了艺术领域交汇的一大热点。画家们主观上弃旧图新,实践改革成为这一时期中国画创作的主流。其源起首先是大家对建国以来中国画创作现状的不满,其意义直接影响了现实创作和中国画的发展。这种情形对于我们青年一代画家来说,确实拥有了一个无所束缚的创作空间。就是在这个大的环境中,我完成了大学学业并开始山水画创作实践的。应该说,我的创作心态是较为自由的。
Recalling the creation of my landscape painting, although the time is not too long, but every period of experience, pursuit and change is still very easy to sort out. Since the 1980s, I started to create landscape paintings. At the time, the reform and opening up brought a bright future to the development of Chinese painting. All kinds of western cultural trends were also pouring into the country, creating a confrontation and collision between the two cultures. The community’s widespread concern. As an image of Chinese traditional culture, Chinese painting has become a hot spot in the field of art. Painters subvert the old map subjectively, practice reform has become the mainstream of Chinese painting during this period. Its origin is firstly that everyone dissatisfied with the status quo of Chinese painting since the founding of the People’s Republic of China, whose significance has a direct impact on the realistic creation and the development of Chinese painting. This situation does have an undying boundless creative space for our young generation of painters. It is in this great environment that I completed my college studies and started the practice of landscape painting. It should be said that my creative attitude is more free.