当《剧本》迎来600期之际,首先让我表示最真诚的祝贺!《剧本》在新中国戏剧的发展上是做出过巨大贡献的。它不但刊登出许多优秀的剧作,更培育了几代剧作家,因此,呈现出新中国戏剧的繁荣和光辉。在当前,《剧本》所承担的历史任务将更为繁重。它面临着中国戏剧发展的两大矛盾:一是剧本创作极度衰弱,剧作家处于劣势的地位;二是戏剧理论批评的孱弱。造成这样的局面,其原因是复杂的。世界性的后现代主义戏剧的思潮:无视经典,解构 As the “Screenplay” ushers in 600 issues, let me first express my most sincere congratulation! “The Script” has made tremendous contributions to the development of the new Chinese drama. It not only published many excellent plays, but also trained several generations of dramatists, therefore, showing the prosperity and glory of the new Chinese drama. At present, the historical tasks undertaken by the “script” will be more onerous. It is confronted with two major contradictions in the development of Chinese drama. One is the extreme weakness of script writing, the inferiority of dramatists and the weakness of criticism of drama theory. The reason for this situation is complex. The world trend of postmodernist drama: disregard of the classic, deconstruction