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剧学理论是罗兰·巴特文艺理论思想重要的组成部分。巴特认为,思想观念、意识形态的并存或冲突即是戏剧性生成之根源,这一类的观念并存或冲突无论以何种形式存在,广义上都可被视作文本,文本无处不在,戏剧性亦无处不在。巴特试图以这种无处不在的戏剧性为自己的欲望化主体构建正名,因此巴特的剧学可被称为“欲望剧学”。巴特的剧学理论颇为有力地预言了近来先锋戏剧的一个重要发展趋向。但是,就理论而言,巴特的剧学思想远谈不上自洽,它的价值命意存在着强烈的自反性。
Drama theory is an important part of Roland Barthes theory of literary theory. Bart believes that ideological and ideological coexistence or conflict is the root cause of dramatic emergence. The coexistence of such concepts or conflicts, regardless of their forms, can be broadly regarded as texts and texts are ubiquitous and dramatic everywhere. Bart attempted to build his name for himself in this ubiquitous and dramatic character, so Bart’s drama could be called “Desire Drama.” Bart’s drama theory quite predicts an important development trend of recent avant-garde plays. However, in theory, Bart’s drama theory far from self-consistent thinking, its value there is a strong intention of reflexivity.