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一个人站在一幢几十层高的摩天大楼上俯瞰,下面便是一个大大小小、高高低低的楼房的世界,楼的左边是楼、右边是楼、前边是楼、后进是楼,看久了会以为这个宇宙里只有这些数不清的楼房。然而,房子对于人来说,除了是装载人的嚣皿之外,还有什么更深的意义吗?我有一把这套房间的钥匙,这房子就可称为我的“家”吗?我作为一个生物活着的时候,有没有一个伴随我一生的房子?我死了以后,又将何处安身?这些问题,在台湾导演蔡明亮的《爱情万岁》里,
A person standing on top of a dozens of skyscrapers overlooking the world, below is a large and small, high and low buildings in the world, the left is the floor of the building, the right is the floor, the front is the floor, Looking for a long time will think that there are only these innumerable buildings in this universe. However, the house for people, in addition to the clamor of the loader, there any deeper sense? I have a key to this room, the house can be called my “home ”? When I was living as a creature, was there a house that accompanied my life? After I died, where would I put myself again? These questions, in Taiwan's long live “Love,” by Tsai Ming-liang,