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作为一首成功的蒙古族风格器乐作品,蒙古族作曲家好必斯先生创作的单簧管独奏曲《西拉穆伦河随想曲》在创作技法上有着独特的风格特征,在突出浓郁的蒙古音乐风格特征的同时完美地融合了西洋作曲技法,充分的展现了独奏乐器的特性,给人以耳目一新的感觉。这首作品为有限的中国风格单簧管作品曲库的丰富增添了一个新的成果。本文从工作在内蒙古地区的演奏者的角度入手,对作品的创作技法、风格特征、音乐内涵和演奏处理的方法作了分析,力求为单簧管演奏者提供一些有益的经验。
As a successful Mongolian-style instrumentalist, the Mongolian composer Ghobsisi’s clarinet solos, “Simarulunlun Suiqunqu”, have unique stylistic features in their creative techniques. In highlighting Mongolian musical styles Features at the same time the perfect blend of Western composer skills, fully demonstrated the characteristics of solo instruments, giving a fresh feeling. This piece adds a new twist to the richness of the limited Chinese-style clarinet music collection. This article starts with the performers working in Inner Mongolia, and analyzes the creative techniques, style features, musical connotation and performance methods of works, and tries to provide some useful experiences for the clarinet player.