“新神话剧”或“人神同台”(这两个名词都不准确,为方便计,姑且这样用),一般来税,都是为了歌颂大跃进,歌颂社会主义建设而写作的,这应当加以肯定。这类戏,如果内容无害,当然可以编可以演。为了配合任务,根据报上的一篇报道或一首半首民歌,即兴吟诗一般,偶一为之,搞出个“新神话剧”来,鼓舞观众的干劲,或把观众逗得哈哈大笑,这还是有意思的。但是,好曲子唱不得三遍。如果早上一个七仙女下凡,晚上一个嫦娥入公社;左一个土地搬家,右一个龙王逃难;看多了,观众也会索然无味。这类戏,性质上接近活报。如果像煞有介事,或一本正经假戏真做起来,加以过高评价,例如,把它们当做革命的现实主义和革命的浪漫主义相结合的优秀作品,誉之为神话剧的新发展,说可以用它反神权破除迷信,甚至将它和《史记》《可爱的中国》并列起来;如果不从活报的角度,而从批评家赞扬的角度来看这些戏;那么,这些戏从创作方法到内容上,其实都存在很多问题。 “New mythology drama” or “people and gods on the same stage” (these two terms are not accurate, for convenience, tentatively used), the general tax, are written in honor of the Great Leap Forward, praising the construction of socialism, which It should be affirmed. Of course, if such content is harmless, it can be edited. To tie in with the task, according to a story in the newspaper or a half folk song, impromptu poetry, occasionally, come up with a “new myth drama” to inspire the audience’s drive, or to make the audience amused Laugh, this is still interesting. However, a good song can not sing three times. If the morning of a seven fairy descendants, a Chang’e at night into the commune; left a land move, the right one Dragon King fled; see more, the audience will be boring. This type of play, close to the nature of the newspaper. Exalted reviews, such as futile or genuine pretenses, such as the excellent work of combining them with revolutionary realism and revolutionary romanticism, are credited with the new development of the mythology drama and can be said to use it The anti-divine right divorced superstition and even juxtaposed it with the “lovely China” of the “Shiji”; if not from the point of view of the press, critically acclaimed these plays; then, from the creative method to the content of these plays In fact, there are many problems.