“那一年敦煌的面壁修炼,在我的一生中起着哺乳的作用,用色彩而歌而舞,梦中延续到梦外的幻象狐步从此就没有离开过我,从这里旋转出我化蝶的幻象和飞翔的舞步。”张小琴这样写道。诗意的句子是她画作的注脚,显得别致动人。在她一步步走来的艺术旅程中,无论人本还是文本,都一直葆有诗的气质:浪漫、高迈、拥古典情怀和现代意识于一身,且时时纠结于理想主义、完美主义、乃至英雄主义情结的困扰,自得于其中,也时而 Dunhuang’s face that year practice, plays a breast-feeding role in my life, with color and dance, the dream continues to the illusion of Fox outside the fox step has never left me, spin out from here I The butterfly’s illusion and flying dance. "Zhang Xiaoqin wrote. Poetic sentence is the footnote of her painting, it seems unique touching. In her artistic journey step by step, no matter people or text, she has always maintained the poetic temperament: romantic, tall, classical feelings and modern consciousness in one, and from time to time tangle with idealism, perfectionism, and even Troubled heroism complex, from which, but also from time to time