纪录片摄影师是影像史官的自来水笔,在创造视觉的历史证据、纪录影像文献的过程中,往往承担着三种不同的角色职能:呈现历史的窥视者,是以一种历史无意识的偶然视点,纪录具有形象价值的具体现实,还原有关过去的历时性感受;复现历史的目击者,拥有强烈的主观意识与美学态度,其预设拍摄动机与视觉价值判断在历史现场贯彻始终;触发历史的介入者,则是以干预、互动或触媒的方式,完成对历史的视觉表述。他们,共同以影像建构并书写历史。 Documentary photographers are the fountainpicks of image historians who often assume three different roles and functions in creating visual historical evidence and documentary documents: they are historical glimpses of the historical mystery of history unconscious, Record the concrete reality with the image value, and restore the past experience of the diachronic character. The eyewitness to the historical reappearance has a strong subjective consciousness and aesthetics attitude. The preset shooting motivation and visual value judgments are consistently applied in the historical scene. Intervention, is the completion of the visual representation of history by means of intervention, interaction or catalyst. Together, they construct and write history through images.