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纵观数千年的中国绘画发展,肖像画是中国传统绘画中极其重要的一个分支,在其历史的演变中于中国特有的文化土壤中赋予鲜明的民族文化特征。自最早中国人物画《人物御龙帛画》到唐朝高峰,再到晚期明清,中国人物绘画不断革新交融于世界,但是中国人物画的特点并没有消退,反而更加体现了中国画的精神与特点。通过解析明清人物绘画反观中国人物绘画发展,体会中国人物绘画之精神。中国人物传统绘画从战国时期的《人物龙凤帛画》的精湛线
Looking at the development of Chinese painting for thousands of years, portraits are an extremely important branch of traditional Chinese painting. They have given distinctive national and cultural features to the unique cultural soil of China in the evolution of their history. From the earliest Chinese figure painting “The Portrait of the Royal Dragon” to the peak of the Tang Dynasty, and then to the late Ming and Qing Dynasties, the Chinese figure painting constantly innovates and blends into the world. However, the characteristics of Chinese figure painting have not subsided, but more reflect the spirit and characteristics of Chinese painting . By analyzing the figures in Ming and Qing dynasties, we can see the development of Chinese figure painting and the spirit of Chinese figure painting. Chinese characters traditional painting from the Warring States Period, “the characters Longfeng silk painting” of the superb line