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上海古籍出版社出版,2003年。本书著者根据阅读循创作逆过程的原理。由船山逻辑展衍的终端反朔回其肇端,依其逐渐扩张的内在思路对船山的诗学思想进行诠解和建构。本书著者论述了船山诗学处处体现的中国文化“有机”宇宙观念:即宇宙秩序呈人类艺术的“音乐的”形式,承载着人类价值,善与美;而人类艺术则在节奏上“重义地”体认出宇宙生
Shanghai Ancient Books Publishing House, 2003. The author of this book according to the principle of reading through the creation of the inverse process. The terminal developed by Chuanshan Logic Exhibition goes back to its origins and interprets and constructs Chuanshan’s poetic thinking in accordance with the inherent idea of its gradual expansion. The author of this book discusses the Chinese culture “organic ” concept of cosmos embodied in Chuanshan ’s poetics: the “music ” form of cosmic order showing human art, carrying human values, goodness and beauty, while human art Rhythm “sense of justice ” recognize the universe students