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绵竹年画起源于北宋,明代开始逐渐兴旺,清代时达到鼎盛。与苏州桃花坞、山东潍坊、天津杨柳青统称为中国“四大木版年画”。手绘是它的最大特点。西南地区的戏剧、文人画、雕塑以及民风民俗都受到它的影响,中华人民共和国成立后,它被注入了新内容及现代人的审美趣味。20世纪90年代相继荣获“中国民间艺术一绝”“中国年画之乡”和“第五届中国艺术节金奖”的称号。可是,“5·12”汶川大地震改变了这一切,灾后重建的巨大推力,让绵竹年画三年实现重生。本文整理了绵竹年画的起源、发展历史和艺术特征并对它的传承与创新进行解析。
Mianzhu New Year originated in the Northern Song Dynasty, Ming Dynasty began to flourish, reaching its peak during the Qing Dynasty. And Suzhou Taohuawu, Weifang, Shandong, Tianjin Yangliuqing collectively known as China “four woodcut New Year ”. Hand-painted is its most important feature. Drama, literati paintings, sculptures and folk customs in the southwestern region are all affected by it. After the founding of the People’s Republic of China, it was infused with new contents and modern aesthetic tastes. The 20th century, 90’s have won the title of “Chinese folk art must” “Chinese New Year Pictures ” and “Fifth Chinese Art Festival Gold Medal ”. However, the Great Wenchuan Earthquake has changed all this. The great thrust of post-disaster reconstruction has enabled Mianzhu’s New Year pictures to come back to life in three years. This article has sorted out the origin, development history and artistic features of Mianzhu New Year’s paintings and analyzed its inheritance and innovation.