上世纪五十年代,粤剧出现空前繁荣,单就一个广州市,平安、乐善、太平、东乐连同一些“布帐棚”(在空地上围上帐幔作临时演出场所)等十多间大戏院,天天都有剧团在演出,如果连同长年在四乡各处活动的落乡班,广东全省有六、七十个粤剧团之多.因此,为剧团专职编剧的“开戏师爷”也随之应运而生。异彩纷呈出奇招,以适应激烈的市场竞争是当时粤剧的兴旺景象。于是便有“一个 The fifties of last century, the unprecedented prosperity of Cantonese opera, a Guangzhou alone, safe, happy good, peaceful, Dongle, together with a number of “tents” (in the open space around the curtain tent as a temporary venue) Grand Theater, there are troupes performing every day, if together with long years in rural areas around the township classes, Guangdong Province, there are six or seventy Cantonese Opera Troupe as many.Therefore, the theater full-time screenwriter, “Also came into being along with it. Bright and colorful, in order to adapt to the fierce market competition was the prosperous scene of Cantonese opera at that time. So there will be ”one