从上世纪80年代起,人类对自然的态度发生了紧急转折。曾经被认为取之不尽用之不竭的大自然突然之间变得脆弱而匮乏,原先看来遥不可及的荒漠和动物栖息地也开始与人类的生活和文化息息相关。面对日益恶化的环境问题,生态学家提出了生态节制和适度发展的思想,认为人类活动应当具有一定限度,以维持生态系统的循环平衡,这不但是对生态技术的补充,更成为社会公共伦理道德。这种观念的转变对艺术潮流最深远的影响,体现在一种与环境有关的公共艺术中。 Since the 1980s, there has been an urgent turning point in the attitude of mankind to nature. Suddenly, the inexhaustible nature of what was once thought to be inexhaustible became weak and scarce, desert and animal habitats, which seemed to have been beyond reach, began to be associated with human life and culture. In the face of worsening environmental problems, ecologists put forward the idea of ​​ecological control and moderate development. They think that human activities should have certain limits in order to maintain the cyclical balance of ecosystems. This is not only a supplement to ecological technologies but also a social public Ethics. The most far-reaching impact of this shift in perception on the art trend is embodied in an environment-related public art.