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今春在中国美术馆举办的王森然先生遗作展,向公众展示了这位思想家、学者和艺术家晚年创作的书画作品近百幅。这些作品大气磅礴,底蕴深厚,洋溢着创造精神和唯有美的艺术所独具的那种魅力与活力。看了王森然先生的画,很容易使人想起齐白石的艺术。的确,两位大师的作品在精神上是相通的,此外,还有着许多形式上的类似(如风格、题材、章法、笔墨……)。那么,齐白石对王森然的创作有些什么影响呢?这个问题,是一般观者自然要想到的,也是在王森然绘画艺术的研究中很难回避的。在这篇文章里,我想就这一问题谈些个人初浅的看法。
Mr. Wang Senran’s solo exhibition held this spring at the China Art Museum showed the public about a hundred paintings and calligraphies written by later generations of the thinker, scholar and artist. These works are magnificent, deep inside, full of charm and vitality that is unique to the art of creating and the only beauty. Watched Mr. Wang Senran’s painting, it is easy to remind Qi Baishi’s art. Indeed, the works of the two masters are mentally interlinked and in addition there are many formal similarities (such as style, themes, rules, ink ...). So, what influence does Qi Baishi have on the creation of Wang Senran? This question is something that ordinary viewers naturally need to think about, and it is hard to evade the research on Wang Senran’s painting art. In this article, I would like to make some personal and first thoughts on this issue.