追根溯源,中国人物画从一开始就不同于山水、花鸟画清赏愉悦,非功利的目的,而侧重于“助人伦,成教化”的社会功能。因此,在山水、花鸟画追求儒家”天人合一”的精神境界和道家“物我两忘”的空灵超然趣味的同时,人物画基本上走了一条取参与姿态的入世的道路,表现现实背景下的各式人等(即 Tracing the source, Chinese portraits from the very beginning are different from landscapes, birds and flowers enjoy pleasant, non-utilitarian purposes, while focusing on the social function of “helping the bereavement, becoming educated.” Therefore, while landscapes, flowers and birds pursue the spiritual realm of the Confucian “harmony between man and nature” and the ethereal transcendental tastes of the Taoist “Two Things I Forgotten”, figure painting basically takes the path of participating in the WTO and shows the reality Various people in the background, etc. (ie