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80年代中后期,中国作家们在吸收西方新历史主义理论的基础上,有融入了自己对中国本土文化的理解,创造了一批有影响力的新历史主义小说。这些小说在一定程度上有着相近的内涵和审美旨趣,都诠释了新历史主义的创作特征即:民间化、平民化的叙事离场;主体化、个人化的历史视角;偶然化、多样化的历史进程。并进一步分析了这些特征给新历史主义创作所带来的一些弊端。
In the mid and late 1980s, Chinese writers, basing on the theory of absorbing Western neo-historicism, integrated their own understanding of Chinese native culture and created a number of influential neo-historic novels. To a certain extent, these novels have similar connotations and aesthetic purities, all of which illustrate the creative features of New Historicism: the narrative of folk and common people departs from the scene; the historical and personal perspectives; the occasional and diversified Historical process And further analyzes some of the drawbacks these features bring to the new historicism creation.