从历史的角度讲,继左拉的自然主义流派——这批作家艰难地把文学与社会学甚至伦理学相联系——之后,大众主义文学始终坚持把那些普通百姓、劳动人民、穷人和命运不济者搬上文学舞台。法国散文中的这种倾向,在各种成就的推动下,从十九世纪末至本世纪的三十五年——一个因政治参予而 From a historical point of view, following Zola’s naturalist geniuses, who have struggled to link literature with sociology and even ethics, the literature on populace has always insisted on bringing ordinary people, working people, the poor and destiny Bad people moved to the literary stage. This tendency in French prose, motivated by various achievements, from the end of the nineteenth century to the thirty-fifth century of this century,