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在“文革”时期的特殊语境里,电影作为文艺工作的一部分,不再作为一种文艺形式而传播,阻碍了中国电影传播的正常发展。电影传播媒介的数量因“文革”而锐减,无法实现良好的传播效果;意识形态控制凸显,弱化了电影传播公共领域的功能。“文革”时期电影传播的错位给我们以启示:电影传播要回归受众本位,才能大发展、大繁荣。
In the special context of the “Cultural Revolution” period, as a part of the literary and art work, the movie no longer propagated as a form of literature and art, hindering the normal development of the spread of Chinese films. The number of film media dropped sharply because of the “Cultural Revolution”, which failed to achieve a good communication effect. The prominent ideological control has weakened the function of the public domain of film transmission. The dislocation of the film transmission during the “Cultural Revolution” gave us an enlightenment: If we want to return to the audience’s standard of film transmission, can we develop greatly and prosper.