“清明时节雨纷纷,路上行人欲断魂。借问酒家何处有,牧童遥指杏花村。”杜牧的《清明》一、二两句是通过写景来烘托人物的羁旅愁思。三、四两句则记事志喜。行人希望找个酒家,歇脚避雨,饮酒浇愁,于是问路牧童,牧童随手一指让人产生意外的惊喜:那隐约 “When the Ching Ming Festival is raining, the pedestrians want to break their souls. By asking where the restaurant is located, the shepherd boy is pointing to Heng Fa Chuen.” Du Mu’s “Qing Ming” one or two sentences is written through scenes to contrast the characters’ travels. Three or four sentences are recorded. Pedestrians hope to find a restaurant, rest and shelter from the rain and drink, and then ask the road shepherd boy. The shepherd boy’s fingertips make people feel unexpected surprises: that vaguely