张振民自小酷爱绘画。也许是岁月沧桑不遂人愿,为生活计,青年始参加工作。虽搁置画笔,然又干起了藕断丝连的绘图制图技术活。魂牵梦绕中国画的思绪从没有泯灭,20世纪90年代中期,他又拿起了画笔。翻阅了《芥子园画谱》,喜好郭传章、黎雄才的《山水画谱》,多临范曾的画作,主攻曾刚《山水画集》与徐湛《花鸟 Zhang Zhenmin childhood love painting. Perhaps the vicissitudes of life would not make people willing to live, youth began to participate in work. Although set aside the brush, then dry up a lot of silks and bound drafting techniques. Never mind wandering around the thoughts of Chinese painting, he picked up the brush again in the mid-1990s. Read the “Mustard Park Painting”, like Guo Chuanzhang, Li Xiongcai’s “landscape painting”, multi-Lin Zeng’s paintings, the main Zeng Gang “Landscape Painting” and Xu Zhan "flowers and birds