中国画学的传承与发展看似是个老生常谈的问题,但在20世纪全面接受西学、中国画发生了巨大变革之后,这个问题常常变得游移不定、漫漶不清,令人对于西画诸种流派、诸多时鲜的现当代艺术观念的了解,可能早已超出对于中国画学的认知。而随着国家综合实力的提升,我们应当重建一个怎样的中国艺术形象已提到紧迫的议程,我们总不能在追随、模仿与借用西学之后呈现一个新的殖民文化形象吧!这或许就是我们在今天再度追问中国画学传承与发展的必要性。7月末,由中央文史研究馆书画院和中国美协理委会等学术机构组织召开的“中国画学的传承与发展”学术研讨 The inheritance and development of Chinese painting science seem to be a matter of clichés, but after the comprehensive acceptance of Western learning in the 20th century and the enormous changes in traditional Chinese painting, the issue often became ambiguous and ambiguous. The understanding of modern and contemporary art concepts may have already exceeded the cognition of Chinese painting. With the improvement of overall national strength, we should rebuild a kind of Chinese art image that has mentioned an urgent agenda. We can not always present a new image of colonial culture after following, imitating and borrowing Western learning. Today, I again question the necessity of inheritance and development of Chinese painting. At the end of July, the Academic Research on “Inheritance and Development of Chinese Painting Studies” organized by academic institutions such as the Central Research Institute of Literature and Art of the Central Research Institute of Literature and Art and the China Association of American Artists