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作家的“作者身份”在埃德蒙·罗斯丹的剧作《西哈诺·德·贝尔日拉克》中具有绝对权威,该剧因此在文学评论界出现读者众而评者少的特殊现象。在分析戏剧剧本两大要素(台词和舞台指示)为主的传统阅读方式之外,是否还存在着其他的阅读可能性,成为本文力图阐明的问题。通过剖析人物角色间的潜在关系以及该剧内在的隐性结构,本文发现剧作呈现出一种不同于传统戏剧单一性结构的特点,即一种“双结构性”。不论是人物角色间显性关系和隐性关系的双重设定,还是该剧内在的嵌套、平行或交替的结构特点,都在一定程度上证明了这种双结构性的存在。
The author’s “Author’s Identity” is absolutely authoritative in Edmund Rostein’s play “Siharno de Bel Rijk.” The play is therefore unique in the field of literary critics with less readers phenomenon. In addition to the traditional ways of reading, which are mainly composed of two main elements of theatrical script (lines and stage instructions), other reading possibilities exist and become the issues that this paper tries to clarify. By analyzing the potential relationship between the characters and the implicit structure of the play, this thesis finds that the play shows a characteristic different from that of the traditional drama, that is, a “double structure”. Whether it is the double set of dominant and implicit relations between characters or the inherent nested, parallel or alternating structural features of the play, this double structural existence is proved to a certain extent.