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本文试图通过对老舍小说中三篇“自叙传”式小说的叙事分析,把握叙事人称的选择与文本艺术效果间的关联。文章指出,和五四作家更多从便于抒情的角度选取第一人称叙事不同,老舍的这三篇小说都是通过人物回顾性叙事自己的故事,展现其在客观世界中的境遇并进而表达价值判断,而在其第一人称叙事中,由于汉语没有严格时态要求所产生的叙事自我与经验自我的模糊性,则使其作品具有了某些特殊的艺术效果。
This article attempts to grasp the relationship between the choice of narrative persona and the effect of textual art through the narrative analysis of the three autobiographical novels in Lao She’s novels. The article points out that unlike the May Fourth writers who chose the first person narrative from the point of view of lyricism more easily, all three of Lao She ’s novels reveal their own situation in the objective world through the characters’ retrospective narration and express their value judgments However, in his first-person narration, his works have some special artistic effects due to the fuzziness of self-experience and narrative self produced by Chinese without strict tense requirements.