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笔底有“我”剧本是剧作家写的,可以说,他们的笔下,无不在写“我”:写“我”心中的世界,写“我”心中的人物,写“我”心中的故事;状“我”胸中的感触,抒“我”胸中的情怀,浇“我”胸中的块垒。描写“我”的所见所闻,所思所想,所爱所憎,似乎早己成为戏剧创作的常识,无须论证的规律。还要正儿八经地当作文章主旨论述,无非老声常谈而己,或者叫做无病呻吟。——不过,我还是要老声常谈地“呻吟”一番。盖因:这个“我”里,大有讲究。
At the end of the pen there is the “I” script written by the dramatist. It can be said that in their writing, everyone is writing “I”: the world in the heart of “I”, the person in the heart of “I” , Write the story in the heart of “I”; the feeling in the chest of “I”, express the feelings in the chest of “I”, and pour the block in the chest of “I”. Describing “I ” what you see and hear, what you think, what you love and hate seems to have become the common sense of drama creation, without the law of argument. We should also treat children as the theme of the essay, talking about nothing more than talking about ourselves, or calling it a moan. - However, I still want to be “old moan” about it. Cover reason: this “I ”, great stress.