试图全方位描绘一位画家似乎是件不可为的事情。法国作曲家梅西安曾有一套理论,他认为某一种声音或者声音组合对应一套特定的颜色。不论这套理论在真正的艺术家们身上到底是否能够普遍成立,事实是陈逸青的绘画确实与音乐分不开。他的画面呈现出一派理想境界,流畅如跳动的音符。但这是全部吗?似乎不是,那伯格尼尼展示小提琴技法般的炫耀也使人惊叹之余不免反问,难道技法便是创作的全部?陈逸青说:“没有一流的技 Trying to paint a full range of painters seems like an impossible task. The French composer Messiah had a theory that he thought a certain sound or sound combination corresponded to a specific set of colors. No matter whether this theory can be universally established on the real artists, the fact is that Chen’s paintings are indeed inseparable from the music. His picture shows an ideal state, flowing like a beating note. But is this all? It does not seem that it is not, that Bourgigny show violin-like show off is also amazing, I can not help but ask, is the technique is the creation of all? Chen YQ: ”