电影创作的“一窝蜂”现象,早已引起广大观众的不满。面对影坛这种题材偏窄、追赶时髦的状况,电影评论家和社会各界观众纷纷提笔撰文,在各种报讨上早已进行过批评。可惜,各界观众的诚恳批评未能引起电影界的注意。例如,银幕上的“寡妇热”至今还未能冷却下来。最近我看了两部寡妇片。一部是河南电影制片厂的《小城细雨》,一部是上海电影制片厂摄制的《大桥下面》。这两部影片都是描写寡妇带着孩子被未婚青年爱上,他们冲破习惯势力的精神枷锁,说服了代表封建习俗的妈妈,而结成良缘的故事。题材一样,情节相似,细节又是那么相同。两部影片好象出自一 Movie “swarm” phenomenon, has already caused widespread dissatisfaction with the audience. In the face of narrow subject matter and catch-up of fashionable films, film critics and audience from all walks of life have made their own pen and paper criticisms and have long been criticized in various seminars. Unfortunately, sincerely criticism from all walks of life failed to attract the attention of the film industry. For example, “widow fever” on the screen has not yet cooled down. Recently I have seen two widows. One is “Little City Rain” in Henan Film Studio and the other is “Under the Bridge” shot by Shanghai Film Studio. Both films depict the widow’s love of the unmarried youth with their children, their spiritual shackles that break through the power of habit, persuaded mothers on behalf of feudal custom, and formed a story of good marriage. The same theme, the plot is similar, the details are the same. Two videos seem to come from one