亨利.列斐伏尔指出唯心主义、形式主义、对人的抽象理解是马克思主义以前美学理论的根本缺陷,他以马克思主义为美学立场,认为马克思主义能使一个现代艺术家在创作中真正获得自由、开辟广阔的创作前途,艺术作品既是艺术家个人的作品也是反映一个时代的经济、政治、文化基础的作品。列斐伏尔以新浪漫主义为美学的方向,新浪漫主义是革命的、进步的,是以“可能”为中心的反叛异化现实和面向人道未来。 Henry Lefebvre pointed out that idealism, formalism and abstract understanding of people are the fundamental defects of the previous aesthetic theories of Marxism. Taking Marxism as the aesthetic point of view, Marx believes that a modern artist can truly gain freedom in his works , Opening up a vast creative future. Art works are both individual works of artists and works reflecting the economic, political and cultural foundation of an era. Lefebvre takes the neo-romanticism as the direction of aesthetics. Neo-romanticism is revolutionary and progressive. It is a rebellious alienation centering on “possibility ” and a humanitarian-oriented future.