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多媒体、装置、影像和表演作为“外来户”以融合与协作的方式在当代艺术圈占据了各自的席位。通过时下许多国际艺术展可以窥得一斑。这些绚烂的广告式的语言充斥着人们的视觉和听觉。相形之下,传统的架上绘画却被挤压至一隅,曾经在艺术历史中的地位也受到了一定的质疑,国际拍卖市场上偶然拍出的油画高价被动地使其暂时稳住了阵脚。然而,这种情况在中国——一个从古至今以笔法、意境及图式注重的传统文化的语境里,却并未出现明显的式微之势。近期的展览“出墙——面对装置诱惑的绘画”向观者呈
Multimedia, installation, video and performance as “foreign clients” have taken their place in the contemporary art scene in a cohesive and collaborative manner. Through the many international art shows nowadays can be seen. These gorgeous advertising language is full of people’s vision and hearing. In contrast, the traditional rack painting has been squeezed to a corner, once in the history of art has also been some questions, the international auction market, the high prices of oil paintings made it passively temporary hold its ground. However, this situation did not show any obvious trend in China in the context of traditional culture that has been emphasized by means of writing, artistic conception and schema since ancient times. Recent Exhibitions “Out of the Wall - Painting Facing Device Seduction” was presented to the viewer